Works

With the exception of Hymne I (Symétrie Editions), Jean-Pascal Chaigne's scores are published by Mezza-Voce Editions and available for sale

on BabelScores

WORKLIST

Categories :

Solo instrument

Stèle (2024)

Clarinet d’amore (10’)

Et je m’épuise d’être là (2020)

Portative Organ (7’)

L’évidence d’un regard (2020)

Harpsichord (7’)

Au seuil d'une parole (2020)

Recorder (7’)

Hymne IV (2019)

Piano (8')

Ce que l'œil recèle (2018)

Viola (3')

Cet abîme d’étoiles (2018)

Theorbo (8')

De miroir, d’absence (2016)

Viola da gamba (9’)

Wie ein Toter (2016)

Cello (13’)

Trace (2014)

Double bass (10’)

Hymne II (2013)

Percussion (8’30’’)

Soit donc cela II (2013)

Organ (8’)

Soit donc cela I (2013)

Harpsichord (8’)

L’épaisseur d’un cri (2012)

Traverso (5’30’’)

L’énigme et son sommeil (2011)

Soprano (6’30’’), after a poem by Claude Royet-Journoud

Hymne I (2010)

Flute (6’)

Vertical et blanc III (2009-revised 2011)

Violin (9’)

Vertical et blanc II (2009)

Viola (5’30’’)

Objets I (2007)

Bass clarinet (5’30’’)

Vertical et blanc I (2006-revised 2009)

Cello (6’30’’)

Chamber music

Air en prose (2024)

Violin and cello (7’)

Elle (trajectoire) (2023)

Soprano, oboe, bass clarinet, baritone saxophone, viola, accordion (11’)

Dans l’ombre trace (2022)

String quartet (16’)

Entre le ciel et mon visage (2022)

Voice flute, viola da gamba and harpsichord (11’)

Surgir (2021)

Two guitars (11’)

Echo (2020)

Three choirs or ensembles (12 parts – free instrumentation) (16’)

Hymne V (2018)

Piccolo and xylophone (7’)

Souffle (2018)

Contrabass clarinet and double bass (9')

Immer wieder Angst (2016)

Soprano, flute, clarinet, violin, cello and piano (10’), after Franz Kafka

Aux limites sourdes (2015)

Solo violin, percussion and three female voices (13’)

Entaille (2015)

String quartet (17’)

Shlof (2015)

Vocal sextet (4’), after a Yiddish lullaby; excerpt from the monodrama Der Bau

Reflet (2014)

Clarinet, violin and cello (8’30’’)

Dire II (2014)

Clarinet, percussion, piano, violin, viola, cello and double bass (8’)

Dans la ligne des paupières (2013)

Soprano and string quartet (16’), after a poem by Anne-Marie Albiach

…an die Nacht I (2013)

Solo flute, string trio, piano and percussion (8’)

Dire I (2012)

Two pianos (8’)

L’élaboration du silence (2012)

Three female voices or female chorus (4’), after a poem by Anne-Marie Albiach

L’amant et l’image / Objets III (2012)

Mezzo-soprano, flute, guitar, percussion and violin (8’), after a poem by Claude Royet-Journoud

Objets IV (2011)

Saxophone quartet (8’30’’)

Strates (2010)

Mezzo-soprano, viola, cello and harpsichord (6’30’’), after a poem by Anne-Marie Albiach

Césure : le corps (2010)

Mezzo-soprano and violin (7’), after a poem by Anne-Marie Albiach

La voix extrême la lumière (2010)

Mezzo-soprano, cello and harpsichord (6’), after a poem by Anne-Marie Albiach

Hymne VI (2010)

Flute, piano and percussion (6’30’’)

Trois mouvements (2009)

String quartet (2’30’’)

Objets II (2008)

Cello octet (7’)

Répétition (2004-rév. 2010)

Mezzo-soprano, string trio and harpsichord (7’), after a poem by Anne-Marie Albiach

Vocal ensemble

Echo (2020)

Three choirs or ensembles (12 parts – free instrumentation) (16’)

Shlof (2015)

Vocal sextet (4’), after a Yiddish lullaby ; excerpt from the monodrama Der Bau

…an die Nacht II (2013)

Solo percussionist, four percussionists and mixed choir (9’), after a poem by Novalis

L’élaboration du silence (2012)

Three female voices or female chorus (4’), after a poem by Anne-Marie Albiach

Ma voix te suit (2011)

A cappella choir (SATB) (7’), after a poem by Claude Royet-Journoud

Orchestra

Constellation (2024)

Clarinet d’amore and string orchestra (12’)

Echo (2020)

Three choirs or ensembles (12 parts – free instrumentation) (16’)

Der Bau (2015)

Monodrama for narrator, vocal sextet and chamber orchestra (50’), from the Kafka novella Der Bau

La trajectoire du souffle (Figuration III) (2011)

Violin and large orchestra (10’)

Figurations (2009)

String trio and chamber orchestra (23’)

Figuration I (2007)

Cello and chamber orchestra (6’)

Cycles

Triptych after Kafka:

Der Bau, for narrator, vocal sextet and chamber orchestra

Immer wieder Angst, for soprano, flute, clarinet, violin, cello and piano

Wie ein Toter, for cello

Le travail du silence cycle (after Roger Giroux):

L’épaisseur d’un cri, for traverso (baroque flute)

De miroir, d’absence, for viola da gamba

Cet abîme d’étoiles, for theorbo

L’évidence d’un regard, for harpsichord

Au seuil d’une parole, for recorder

Et je m'épuise d'être là, for portative organ

Les chiffres du corps triptych (after Anne-Marie Albiach):

Entaille, for string quartet

Souffle, for contrabass clarinet and double bass

Reflet, for clarinet, violin and cello

Trace, for double bass

Objets cycle:

Objets I, for bass clarinet

Objets II, for cello octet

Objets III, for mezzo-soprano, flute, guitar, percussion and violin

Objets IV, for saxophone quartet

Kardia diptych (after Kardia by Claude Royet-Journoud):

L’énigme et son sommeil, for soprano

Ma voix te suit, for a cappella choir (SATB)

Hymnes à la nuit cycle (after Hymnen an die Nacht by Novalis):

Hymne I, for flute

Hymne II, for percussion

Hymne III [in progress], for piano and percussion

Hymne IV [in progress], for piano

Hymne V [in progress], for flute and percussion

Hymne VI, for flute, piano and percussion

Mezza-Voce cycle (after Mezza Voce by Anne-Marie Albiach):

Césure : le corps, for mezzo-soprano and violin

Vertical et blanc I, for cello

La voix extrême la lumière, for mezzo-soprano, cello and harpsichord

Vertical et blanc II, for viola

Strates, for mezzo-soprano, viola, cello and harpsichord

Vertical et blanc III, for violin

Répétition, for mezzo-soprano, string trio and harpsichord